“2 Things Work in India’s Favour – Its Democratic Spirit, and the Little Remaining Spine of Its Civil Society”
Aditi Patil’s new book looks at how India’s gender and caste inequalities have led to an environmental crisis.
Aditi Patil’s new book looks at how India’s gender and caste inequalities have led to an environmental crisis.
The obedience of women may make for suitably happy endings in Indian fairytales but has fatal consequences in real life.
Art curator, author and founder of The Art Outreach Society, Tanya Abraham’s world revolves around her hometown Kochi and its globally connected food and history.
Fashion artist Sharmila Nair’s new project links women’s emotions during the pandemic to the tradition of parents gifting almirahs to daughters.
In her new book ‘The Shaadi Story’, author Amita Nigam Sahaya lays bare the sexism inherent in the very foundations of Indian marriages.
Journalist Sanam Maher’s book on the life of slain social-media star Qandeel Baloch raises important questions about women’s rights in Pakistan.
Koral Dasgupta and Devika Rangachari are out to claim the space of popular fiction for women protagonists from Indian history and mythology.
For those wondering about eShe’s founder, her life and philosophy, here it is.
Whether benign or downright dangerous, patriarchy continues to exist in myriad forms in Indian homes.
Ruchi Narain, director of the hit Netflix film ‘Guilty’ shares her personal and professional battle with patriarchy.
It could be a scene anywhere in India – in swish gated neighbourhoods in Delhi or Mumbai, or a palatial bungalow in Bhopal or Lucknow.
It is a bold film that lifts the lid off silent, crushed and repressed female dreams in a thought-provoking and inspiring way.
Can a woman in India aspire to bekhauf azaadi (fearless freedom), asks feminist activist Kavita Krishnan in her new book.
Give women education and political empowerment, instead.
The intrepid Tashi and Nungshi Malik set out to conquer the Seven Summits and the North and South Pole to show patriarchal Indian families what daughters can do.
The Santiago agitation of November 25 can be seen as a protest against both state misuse of power and sexual violence against women.
Why is it called a women’s festival?
Film critic Suparna Sharma points out how rape and women’s trauma are used in Indian films as a cinematic tool to show men earning personal glory.
A new short film by Oorvazi Irani brings up the question of the female identity at the intersection of religion, law and patriarchy.
Mehak Narula used personal setbacks and challenges in her life to fuel a new direction in her journey, and to launch We The Circle to inspire Hyderabad residents.