How Bollywood uses violence against women to pander to male complexes
Film critic Suparna Sharma points out how rape and women’s trauma are used in Indian films as a cinematic tool to show men earning personal glory.
Film critic Suparna Sharma points out how rape and women’s trauma are used in Indian films as a cinematic tool to show men earning personal glory.
A new short film by Oorvazi Irani brings up the question of the female identity at the intersection of religion, law and patriarchy.
Mehak Narula used personal setbacks and challenges in her life to fuel a new direction in her journey, and to launch We The Circle to inspire Hyderabad residents.
Marriage has nothing exceptional to offer a woman in the 21st century.
What’s the historical and ground reality of women’s entry into Sabarimala? Author Lekshmy Rajeev, who has done extensive research on the temple dedicated to Lord Ayyappa in Kerala, shares her views.
Why do Indian men think of themselves as objects of desire in the first place?
Designer Payal Khandwala’s collection ‘New Order’ was inspired by her study of a matrilineal African tribe is a continued ode to her old muse: the intelligent, non-conformist woman.
We asked our readers: Are skirts a practical garment for schoolgirls? This was the prizewinning response!
London-based women’s rights activist Zahra Rasouli helps rescue victims of gender and gang-based violence and child sexual exploitation. She believes gender discrimination is a global phenomenon.
Social activist Madhavi Kuckreja is not only empowering underprivileged Indian women, she’s also walking her talk in her personal life.
There are two battles being fought in Sanjay Leela Bhansali’s Padmavat. One is the grim reality of war fought from Khilji’s side without honour. The other: fought by the women, fought with honour, to have a final say on their bodies.











